{"id":1187,"date":"2016-02-09T12:00:57","date_gmt":"2016-02-09T12:00:57","guid":{"rendered":"http:\/\/art.lostonsite.com\/?p=1187"},"modified":"2016-02-23T19:59:35","modified_gmt":"2016-02-23T19:59:35","slug":"67901014-002","status":"publish","type":"post","link":"https:\/\/arts.lostonsite.com\/index.php\/2016\/02\/09\/67901014-002\/","title":{"rendered":"INTRODUCCI\u00d3N ARTE G\u00d3TICO"},"content":{"rendered":"

TEMA 2. INTRODUCCI\u00d3N AL ARTE G\u00d3TICO<\/h4>\n

1. El t\u00e9rmino g\u00f3tico y sus valoraciones historiogr\u00e1ficas<\/h5>\n

\"Paris<\/a><\/p>\n

\"Paris<\/p>\n

\"Paris<\/a><\/p>\n

\"Paris<\/a><\/p>\n

2. El espacio y el tiempo englobado en el concepto \u00abG\u00f3tico\u00bb<\/h5>\n
3. La catedral g\u00f3tica<\/h5>\n
3.1. El sistema constructivo del g\u00f3tico: innovaciones t\u00e9cnicas y formales<\/h6>\n

\"Reims<\/a><\/p>\n

\"Chartres<\/a><\/p>\n

\"Colonia<\/a><\/p>\n

\"Canterbury<\/a><\/p>\n

\"Reims<\/a><\/p>\n

\"Paris<\/a><\/p>\n

3.2. El proceso constructivo: medios t\u00e9cnicos y m\u00e9todos<\/h6>\n

\"La<\/a><\/p>\n

\"Jan<\/a><\/p>\n

\"Canterbury<\/a><\/p>\n

\"Praga<\/a><\/p>\n

\"Reims<\/a><\/p>\n

\"Villard<\/a>\u00a0\"Amiens<\/a><\/p>\n

\"Estrasburgo<\/a><\/p>\n

\"Villard<\/a><\/p>\n

3.3. El significado simb\u00f3lico: el orden c\u00f3smico y la m\u00edstica de la luz<\/h6>\n
3.4. Espacios y usos de la catedral<\/h6>\n

\"Canterbury<\/a><\/p>\n

\"Salisbury<\/a><\/p>\n

4. La evoluci\u00f3n de las artes figurativas: la escultura y las nuevas artes del\u00a0color.<\/h5>\n

\"Paris<\/a><\/p>\n

\"Reims<\/a><\/p>\n

5. La ciudad en la cultura g\u00f3tica<\/h5>\n
5.1. La forma de la ciudad medieval<\/h6>\n

\"Carcasona<\/a><\/p>\n

\"Lucca<\/a><\/p>\n

\"Ambrogio<\/a><\/p>\n

\"Aig\u00fces<\/a><\/p>\n

\"Lovaina<\/a><\/p>\n

\"Durham<\/a><\/p>\n

\"L\u00fcbeck<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

TEMA 2. INTRODUCCI\u00d3N AL ARTE G\u00d3TICO 1. El t\u00e9rmino g\u00f3tico y sus valoraciones historiogr\u00e1ficas 2. El espacio y el tiempo englobado en el concepto \u00abG\u00f3tico\u00bb 3. La catedral g\u00f3tica 3.1. El sistema constructivo del g\u00f3tico: innovaciones t\u00e9cnicas y formales 3.2. …<\/p>\n

INTRODUCCI\u00d3N ARTE G\u00d3TICO<\/span> Leer m\u00e1s \u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,356],"tags":[],"_links":{"self":[{"href":"https:\/\/arts.lostonsite.com\/index.php\/wp-json\/wp\/v2\/posts\/1187"}],"collection":[{"href":"https:\/\/arts.lostonsite.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/arts.lostonsite.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/arts.lostonsite.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arts.lostonsite.com\/index.php\/wp-json\/wp\/v2\/comments?post=1187"}],"version-history":[{"count":7,"href":"https:\/\/arts.lostonsite.com\/index.php\/wp-json\/wp\/v2\/posts\/1187\/revisions"}],"predecessor-version":[{"id":2099,"href":"https:\/\/arts.lostonsite.com\/index.php\/wp-json\/wp\/v2\/posts\/1187\/revisions\/2099"}],"wp:attachment":[{"href":"https:\/\/arts.lostonsite.com\/index.php\/wp-json\/wp\/v2\/media?parent=1187"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/arts.lostonsite.com\/index.php\/wp-json\/wp\/v2\/categories?post=1187"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/arts.lostonsite.com\/index.php\/wp-json\/wp\/v2\/tags?post=1187"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}