{"id":1190,"date":"2016-02-08T12:00:03","date_gmt":"2016-02-08T12:00:03","guid":{"rendered":"http:\/\/art.lostonsite.com\/?p=1190"},"modified":"2016-03-17T19:48:43","modified_gmt":"2016-03-17T19:48:43","slug":"67901014-003","status":"publish","type":"post","link":"https:\/\/arts.lostonsite.com\/index.php\/2016\/02\/08\/67901014-003\/","title":{"rendered":"ARQUITECTURA G\u00d3TICA SIGLO XIII"},"content":{"rendered":"

TEMA 3. LA ARQUITECTURA G\u00d3TICA EN EL SIGLO XIII: LAS GRANDES\u00a0CATEDRALES<\/h4>\n

1. Francia: origen y fases de la arquitectura g\u00f3tica<\/h5>\n

\"Abad\u00eda<\/a><\/p>\n

\"Abad\u00eda<\/a><\/p>\n

2. El g\u00f3tico precl\u00e1sico, el cl\u00e1sico y el radiante<\/h5>\n

\"Laon<\/a><\/p>\n

\"Laon<\/a><\/p>\n

\"Paris<\/a><\/p>\n

\"Paris<\/a><\/p>\n

\"Soissons<\/a><\/p>\n

\"Chartres<\/a><\/p>\n

\"Chartres<\/a><\/p>\n

\"Catedral<\/a><\/p>\n

\"Coutances<\/a><\/p>\n

\"Reims<\/a><\/p>\n

\"Reims<\/a><\/p>\n

\"Amiens<\/a><\/p>\n

\"Abad\u00eda<\/a><\/p>\n

\"Paris<\/a><\/p>\n

\"Capilla<\/a><\/p>\n

\"Beauvais<\/a><\/p>\n

3. Originalidad del g\u00f3tico ingl\u00e9s: el primer g\u00f3tico y el estilo decorado<\/h5>\n

\"Catedral<\/a><\/p>\n

\"Canterbury<\/a><\/p>\n

\"Salisbury<\/a><\/p>\n

\"Salisbury<\/a><\/p>\n

\"Salisbury<\/a><\/p>\n

\"Wells<\/a><\/p>\n

\"Wells<\/a><\/p>\n

\"Wells<\/a>.<\/p>\n

\"Salisbury<\/a><\/p>\n

\"Abad\u00eda<\/a><\/p>\n

\"Exeter<\/a><\/p>\n

4. Espa\u00f1a: la importaci\u00f3n del modelo franc\u00e9s<\/h5>\n

\"Cuenca<\/a><\/p>\n

4.1. Las grandes catedrales castellanas<\/h6>\n

\"Burgos<\/a><\/p>\n

\"Burgos<\/a><\/p>\n

\"Burgos<\/a><\/p>\n

\"Le\u00f3n<\/a><\/p>\n

\"Le\u00f3n<\/a><\/p>\n

\"Toledo<\/a><\/p>\n

4.2. Las peculiaridades del g\u00f3tico en la Corona de Arag\u00f3n<\/h6>\n

\"Barcelona<\/a><\/p>\n

\"Palma<\/a><\/p>\n

\"Palma<\/a><\/p>\n

\"Barcelona<\/a><\/p>\n

\"Gerona<\/a><\/p>\n

\"Pamplona<\/a><\/p>\n

5. Italia y la tradici\u00f3n cl\u00e1sica<\/h5>\n

\"Florencia<\/a><\/p>\n

\"Florencia<\/a><\/p>\n

\"Orvieto<\/a><\/p>\n

\"Mil\u00e1n<\/a><\/p>\n

6. La arquitectura g\u00f3tica en Centroeuropa<\/h5>\n

\"Colonia<\/a><\/p>\n

\"Marburgo<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

TEMA 3. LA ARQUITECTURA G\u00d3TICA EN EL SIGLO XIII: LAS GRANDES\u00a0CATEDRALES 1. Francia: origen y fases de la arquitectura g\u00f3tica 2. El g\u00f3tico precl\u00e1sico, el cl\u00e1sico y el radiante 3. Originalidad del g\u00f3tico ingl\u00e9s: el primer g\u00f3tico y el estilo …<\/p>\n

ARQUITECTURA G\u00d3TICA SIGLO XIII<\/span> Leer m\u00e1s \u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,356],"tags":[],"_links":{"self":[{"href":"https:\/\/arts.lostonsite.com\/index.php\/wp-json\/wp\/v2\/posts\/1190"}],"collection":[{"href":"https:\/\/arts.lostonsite.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/arts.lostonsite.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/arts.lostonsite.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arts.lostonsite.com\/index.php\/wp-json\/wp\/v2\/comments?post=1190"}],"version-history":[{"count":11,"href":"https:\/\/arts.lostonsite.com\/index.php\/wp-json\/wp\/v2\/posts\/1190\/revisions"}],"predecessor-version":[{"id":2160,"href":"https:\/\/arts.lostonsite.com\/index.php\/wp-json\/wp\/v2\/posts\/1190\/revisions\/2160"}],"wp:attachment":[{"href":"https:\/\/arts.lostonsite.com\/index.php\/wp-json\/wp\/v2\/media?parent=1190"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/arts.lostonsite.com\/index.php\/wp-json\/wp\/v2\/categories?post=1190"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/arts.lostonsite.com\/index.php\/wp-json\/wp\/v2\/tags?post=1190"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}