{"id":1201,"date":"2016-02-06T12:00:00","date_gmt":"2016-02-06T12:00:00","guid":{"rendered":"http:\/\/art.lostonsite.com\/?p=1201"},"modified":"2018-02-21T22:18:48","modified_gmt":"2018-02-21T22:18:48","slug":"67901014-005","status":"publish","type":"post","link":"https:\/\/arts.lostonsite.com\/index.php\/2016\/02\/06\/67901014-005\/","title":{"rendered":"ESCULTURA G\u00d3TICA"},"content":{"rendered":"

TEMA 5.\u00a0LA ESCULTURA G\u00d3TICA<\/h4>\n

1. Renovaci\u00f3n del lenguaje pl\u00e1stico<\/h5>\n
2. Escultura g\u00f3tica en los siglos XII y XIII<\/h5>\n
2.1. La escultura g\u00f3tica en Francia<\/h6>\n
2.1.1. Los or\u00edgenes de la escultura g\u00f3tica: Saint Denis, Chartres y Par\u00eds<\/h6>\n

\"Grabado<\/a><\/p>\n

\"Chartres<\/a><\/p>\n

\"Notre-Dame<\/a><\/p>\n

\"Senlis<\/a><\/p>\n

2.1.2. La escultura g\u00f3tica del siglo XIII. Las grandes portadas: Amiens y\u00a0Reims<\/h6>\n

\"Par\u00eds<\/a><\/p>\n

\"Amiens<\/a><\/p>\n

\"Reims<\/a><\/p>\n

\"Museo<\/a><\/p>\n

2.2. La difusi\u00f3n del g\u00f3tico en el Imperio. Los modelos de Estrasburgo y\u00a0Bamberg<\/h6>\n

\"Estrasburgo<\/a><\/p>\n

\"Estrasburgo<\/a><\/p>\n

\"Bamberg<\/a><\/p>\n

\"Naumburgo<\/a><\/p>\n

2.3. La asimilaci\u00f3n de los modelos franceses en Espa\u00f1a: Burgos y Le\u00f3n<\/h6>\n

\"Burgos<\/a><\/p>\n

\"Le\u00f3n<\/a><\/p>\n

3. Clasicismo y originalidad del g\u00f3tico en Italia<\/h5>\n

\"Pisa<\/a><\/p>\n

\"Orvieto<\/a><\/p>\n

4. La escultura g\u00f3tica de los siglos XIV y XV: Escultura exenta y esp\u00edritu cort\u00e9s<\/h5>\n

\"\u00c1ngel<\/a><\/p>\n

\"Retratos<\/a><\/p>\n

\"Catalina<\/a><\/p>\n

\"Estatuas<\/a><\/p>\n

\"Portada<\/a><\/p>\n

\"Pozo<\/a><\/p>\n

\"Sepulcro<\/a><\/p>\n

\"Virgen<\/a><\/p>\n

\"Tarragona<\/a><\/p>\n

\"Cartuja<\/a><\/p>\n

\"Abad\u00eda<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

TEMA 5.\u00a0LA ESCULTURA G\u00d3TICA 1. Renovaci\u00f3n del lenguaje pl\u00e1stico 2. Escultura g\u00f3tica en los siglos XII y XIII 2.1. La escultura g\u00f3tica en Francia 2.1.1. Los or\u00edgenes de la escultura g\u00f3tica: Saint Denis, Chartres y Par\u00eds 2.1.2. La escultura g\u00f3tica …<\/p>\n

ESCULTURA G\u00d3TICA<\/span> Leer m\u00e1s \u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,356],"tags":[],"_links":{"self":[{"href":"https:\/\/arts.lostonsite.com\/index.php\/wp-json\/wp\/v2\/posts\/1201"}],"collection":[{"href":"https:\/\/arts.lostonsite.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/arts.lostonsite.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/arts.lostonsite.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arts.lostonsite.com\/index.php\/wp-json\/wp\/v2\/comments?post=1201"}],"version-history":[{"count":4,"href":"https:\/\/arts.lostonsite.com\/index.php\/wp-json\/wp\/v2\/posts\/1201\/revisions"}],"predecessor-version":[{"id":3590,"href":"https:\/\/arts.lostonsite.com\/index.php\/wp-json\/wp\/v2\/posts\/1201\/revisions\/3590"}],"wp:attachment":[{"href":"https:\/\/arts.lostonsite.com\/index.php\/wp-json\/wp\/v2\/media?parent=1201"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/arts.lostonsite.com\/index.php\/wp-json\/wp\/v2\/categories?post=1201"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/arts.lostonsite.com\/index.php\/wp-json\/wp\/v2\/tags?post=1201"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}